Studio SRP50 ribber tested on Studio by White SK740 knitting machine in my shop in August 2025

BUY HERE AND PAY LESS

Studio SRP50 ribber ($505) + shipping ($50) Shipping to West Coast, Hawaii and Alaska might be more.

$555.00

Studio SRP50 ribber fits a vast majority of standard-gauge Singer/Silver/Silver Reed/Studio/Empisal Knitmaster/Riccar knitting machines.

Read about Studio SRP50, Empisal Knitmaster SRP50, Silver SRP50 and Singer SRP50 ribbers (which are the same, just different branding) in the Knitting Machine Encyclopedia. The post below is dedicated to a specific ribber I serviced and tested in my shop.

This Studio SRP50 ribber was tested on Studio by White SK740 standard-gauge knitting machine with punchcard reading capabilities.

I performed the usual cleaning routine: took out all needles, cleaned and inspected each, replaced bent or those with sticky latches; cleaned and serviced the needlebed. I spent a lot of time making sure that the distance between the main and ribber beds is optimum for my knitting. I used very thin and medium-thin yarns. If you use slightly thicker yarns or thinner ones, you might need to adjust the distance. There are a lot of online resources on how to do it.

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The correct distance between the beds is one of the most critical aspects of successful knitting.

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I cleaned the carriage and cleaned the retaining bar (which is a plastic strip; no sponge).

The ribber will come with all major and most minor accessories.

The missing accessories are:

  • close-knit bar. It is a narrow (1 x 910 mm) piece of plastic. According to the forums and even the manual itself, it gets misplaced and lost very often. The same forums mention that it is rarely used – maybe for very fine yarns.
  • The “screw driver” did not come with this setup either. I am adding a ratchet tool instead. I used it for all adjustments of the ribber. For some adjustments, a regular flat-head screwdriver might be needed.

I recommend first swatch tests to be on every other needle and/or with a very thin yarn to get to know your machine without worrying about yarn adjustments. This is what I did when I tested this ribber. The knitted fabrics were then converted to hats, a band (made from a swatch) and a neck warmer below.

I knitted on every other needle but used two different combinations to ensure that I knit on ALL needles. Combination one was three needles on the left of the ribber not selected, and combination two was two needles on the left of the ribber not selected. See the video of those tests. The tests on a full bed are also important not only to assess how smooth the carriage runs, how well the needlebed is oiled, but also to ensure that all needles form correct stitches. Check out the video to see that all needles indeed knitted well.

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Studio SK-303 knitting machine serviced and tested in my shop in July 2025

BUY HERE AND PAY LESS

Studio SK303 ($505) + shipping ($50) Shipping to West Coast, Hawaii and Alaska might be more.

$555.00

Studio SK303 is a metal flat-bed knitting machine with 200 needles, 4.5 mm apart, which makes it a standard-gauge knitting machine. Studio SK303 is capable of creating patterns with automatic needle selection governed by the turn-knob control center and buttons and levers on the carriage.

This post is dedicated to a specific machine serviced and tested in my shop in July 2025. To learn all the pros and cons of the Studio SK-303 model, refer to a post in my Knitting Machine Encyclopedia.

The machine will come with almost all major and most minor accessories.

The toolbox (and its lid) is pretty sturdy (normally, those boxes become so fragile with time and exposure to elements that they just crumble apart).

The S-shaped table clamps are original. I am also including two brand new claw weights (which are not even part of the original setup) because they are very useful, especially for beginners, to put on the edges of the fabric or to assist with the cast-ons.

The missing minor accessories/tools are:

  • hard copy of the manual. You can refer to a manual available online for free.
  • card copy of the pattern cards. They can also be downloaded for free. The manual also has some basic patterns. The pattern shown in my video for a blanket is a variation of the pattern in the manual. I also include patterns that I printed out from that pdf file.
  • original metal carriage lock is not included but I am including a 3D printed plastic replacement
  • clips to hold the cards did not come with the machine, and since there are not cards, they are not really necessary.
  • the case for the spare needles was falling apart and thus will not be included
  • oil was too old and I discarded it. I use Hoppe’s gun oil available on Amazon.
  • the yarn tension guide will be included but it is not the original one: it does not look like two bunny ears but more like a triangle.
  • the cast-on wires also did not come with this machine but I will include two identical medium (in between the short one and long ones shown above) wires.

I did all standard maintenance on this Studio SK303 machine: cleaned the retaining bar from the old gunk, replaced the sponge strip in the retaining bar, inspected all needles, cleaned inside and oiled the machine as well as the turnknob and patterning mechanisms.

I tested several acrylic yarns with this machine (just small swatches and also on the full bed), from super smooth to a textured wool yarn to a relatively thick one. Smooth fibers are sometimes problematic because a lot of static might form. The machine handled the slightly thicker (than I normally use on standard-gauge machines), almost sport weight, very well, although there were some hiccups. Additionally, it handled a two-thread 2-color fair isle pretty well, too. Textured wool yarn was not ideal – I should have selected every other needle, but still knitted a decent-sized swatch. All the tests are shown in the video I put together. The machine behaved pretty well, especially with thinner yarns. I tested two-color fair isle, tuck- and slip-stitches and all stitches and knitted fabric looked great.

The full bed tests are necessary because very often faulty needles might not show up during just visual inspection. In fact, I did discover a needle with a bad latch – it formed tucked stitches (shown in the video as well). After I replaced it, no more bad stitches formed on the full needlebed.

Below is a picture of a pattern I accidentally discovered while testing this machine. It is a combination of needles in A position (to create a lacy opening) and a hold-tuck combo.

I converted this knitted panel to a blanket (the pattern is coming soon). I like the look of it so much that I knitted little booties, hat and mittens to make it a matching reversible set.

Now, about imperfections:

One of the metal slide-ins (where the row counter or the card holder are attached) is missing.

The row counter is similar to the original ones but branded as “Silver”, not “Studio”. There is an identical knitting machine model but branded as Silver SK303.

The row counter has some minor staining but it does not affect its functioning.

The turn-knobs have some minor discoloration but still feel solid (they will not crumble easily).

The case has some minor stains and scratches but nothing too major (not all are shown). The scratches do not affect the functioning of the case.

Pros and Cons of turn-knob knitting machines

So far, I’ve been able to become very familiar with the Silver/Empisal Knitmaster/Studio/Singer turn-knob knitting machines: Empisal Knitmaster mod. 305, Knitmaster ES-302, Riccar RK-601, Silver SK-301, Silver SK-302, Silver SK-303, Silver SK-305, Singer 666, Singer 888, Studio SK-301, Studio SK-303. Thus, the pros and cons below are applicable to the following models:

PROS:

  • light weight
  • compact
  • needles similar to the ribber (easy to find)
  • The carriage is very easy to remove from the needlebed if it is jammed
  • manual and pattern cards are available online for free
  • sturdy end caps
  • excellent for those who like the satisfaction of manual stitch manipulations
  • excellent for beginners
  • it is significantly faster to perform needle selection than manually and than the Brother pushbutton knitting machines (which involves the lever movement every time the needles need to be brought forward)
  • no ratchet tool is required to move the needles forward (like in Brother push-button machines)
  • needle selection pattern versus turn knob combinations is show on the front panel: no need to constantly refer to the manual
  • ribbers were available to convert the machines into double-beds

CONS:

  • bunch of knobs, buttons and levers might at first seem confusing
  • vintage row counter if mispalced is hard to find
  • somewhat limited patterning capabilities: manual needle selection is needed for complex patterns and patterns with more than 8 needle repetitions
  • colored fair isle requires manual yarn manipulation (the knitter will need to lay the yarn onto the needles with open latches; might seem tedious on larger projects, but makes it easy to knit single motif patterns)
  • limited number of add-ons: only ribber (no knit leaders, no color changers, no lace carriages, etc).

If you are new to machine knitting on flatbed machines and you just got a machine, consider the beginner-friendly projects I recommend to all my students and customers. These projects can be done on any machine with any gauge. Also, if you are unsure how to choose a knitting machine, check out an article I put together.

…stay tuned for more insights as I test other turn-knob knitting machines.

Working, mechanism, pros and cons of drums-based knitting machines (sold under the Silver Reed, Singer, Studio, Empisal model names) with punch card capabilites.

… in progress.

Knitting machines with punchcad capabilities have carriages with drums that glide on the back rail and also assist in needle selection when are passed over a punchcard reading mechanism pegs.

Well, since these patterning drums are such a prominent feature (which also makes these machines stand out from Brother punchcard knitting machines), a lot of cons and pros are asscociated with them.

PROS:

  • needle selection is localized to drums/carriages, thus fewer (theoretically) things to go wrong;
  • drums assist the carriage in sliding on the needle bed

COSN:

  • yarn and debri can tangle around these drums
  • these drums often freeze-up when the machine is not in use for a prolonged time due to solidified old grease/oil;

Here are my other observations/feedback so far:

Pegs on the drums pass the needles to either B position or C position.

When the patterning dial is in the fair isle position, the mani yarn goes onto the needles in C position.

I see blog posts stating that some of the clanking noise might be due to the static in the yarn. To solve this issue, attach wax on the tension mast so the yarn passes through it.

But some knitters experience that noise even when there is no yarn in the carriage. Sometimes, if the carriage was not recently serviced or the sponge in the retaining bar is old, you might hear some clanking noise. I am discussing this issue (as well as how to address/minimize it) in my video.

When the ribber connecting arm is attached (from SRP50 ribber – maybe others, still researching), the carriage cam dial does not turn from L to Stockinet freely. You will need to disconnect the connecting arm and the problem will be solved.

Studio 360K serviced in my shop in May 2025 for Sabine.

Knitting machine Studio mod. 360 coupled with the Singer MemoMatic 360K carriage, was serviced and fully tested in my shop in May 2025. To read the pros and cons of the Studio mod. 360 and Singer MemoMatic 360K read the corresponding posts in the Knitting Machine Encyclopedia. The post below is dedicated strictly to this specific machine and not the model overall.

This girl was manufactured in the 1980s (45 years ago) so it comes with its own character (read below in Imperfections).

The machine was thoroughly cleaned. I removed all plastic panels and cleaned them. I removed plastic end caps and clean inside the needlebed with the brush until not more lint and dust as coming out. The needlebed was vacuumed from inside and outside. All metal parts were oiled. The punchcard reading mechanism was tuned and cleaned with oil. Same for the carriage. All needles were removed and inspected and then tested on the full bed (knitted on all needles). I identified one faulty needle (the video shows the incorrectly formed stitches) and replaced it.

In fact, tests on full bed were performed using tuck-, slip- and fair-isle stitches. All stitches formed as they are supposed to. There was no mispatterning (see the full video). The video also shows that all buttons, levers and wheels move freely on the knit leader and the paper advances accordingly. Read the manual carefully when setting the knit-leader parameters as some of the knobs move at certain settings. The video also shows that the row counter work great as well.

I replaced bent plastic heel protectors (plastic circles around each wheel with soft brushes on the under side of the sinker plate – now shown). They bent kinda easily when the yarn is tangled around the wheels on the sinker plate.

Installed new end racks. I replaced the sponge in the retaining bar. The retaining bar sits a bit tight so if it needs to be removed, initially use pliers to get the bar the first tug.

The drums on the carriage move freely (see the video). The carriage with and without sinker plate moves freely on the carriage across the needles in A and B positions. Read below about some accompanying clanking noise.

The machine will come with all major accessories.

Those that are not included are:

  • unravel cord (any smooth and strong thread or yarn will work);
  • tapestry needle (any needle will work)
  • punchcard rod (all tests i performed and shown in the video were done without it and it worked well).
  • oil (I get oil for my knitting machines on Amazon: Hopp’s gun oil)
  • punchcard set has all 20 cards and they are original Singer/Studio punchcards but some are somewhat different than in the Pattern Book
  • A hard copy of the machine instruction manual will not be included but it can be downloaded online for free. The hard copies of the knitting manual and the pattern book are included.

Despite some discloration of the plastic and metal of the main bed, the case lid, and the needle bed are in overall good shape.

Imperfections:

  1. There was some yellow discoloration, which could be potential rust spots. I covered them with a couple of protective coatings. The covered spots are not as noticeable in real life as shown in the pictures below. In fact, when I am looking at the machine right now, I can’t even see it (but I know it was there).

2. One of such spots is actually the railing itself (I needed to be 100% sure that there will be no further degradation due to rust). So I applied a thin layer of protective coating as well.

In some places, the coating comes of, which comes across as some minor debris. Just be aware of it (and not alarmed). Include cleaning the debris and carriage rail in your regular knitting machine cleaning routine.

3. It seems that either the plastic panels (including the end caps) were replaced by the previous owner, or the machine was exposed to the sunlight unevenly. Regardless, you can see that some panels show a different degree of yellowing (discoloration of the old plastic due to exposure to the UV light/rays). However, the plastic does not seem fragile (I’ve seen a LOT of weakened (due to UV) plastic parts). So the difference is only visual/aesthetic.

4. When I first started testing the machine by moving an empty carriage on the needlebed (with all needles in A, non-working, position), there was some clanking noise in some areas. I tried various carriages on this machine and they all sound like this. After troubleshooting this issue, I was able to improve it (watch this video on this issue) but due to the nature of this noise, it is not completely eliminated. This video discusses how to prevent/minimize that clanking noise. However, with regular maintenance and paying attention as well as moving the carriage in one smooth motion, this will not be an issue.

Despite all these imperfections, I enjoyed working with this machine. I made the gift bag below using various stitches shown in my test video (working on the pattern now).

Singer 700 mod. knitting machines serviced and tested in my shop in April 2025.

Singer MemoMatic 700 is a standard-gauge knitting machine with 200 needles, 4.5 apart. It has a punchcard reader (on the machine body) and patterning drums (on the carriage) which allows the machine to automatically select needles and knit patterns, like tuck, slip/part, fair-isle, weaving, lace, etc. Read more about this model in my Knitting Machine Encyclopedia. The rest of the post below is dedicated to a specific Singer MemoMaic 700 machine serviced and tested in my shop.

The case (including the end caps and the lid) is in great shape with minium scaffs and scratches. The plastic panels are in great shape too, with minimum discoloration due to the exposure to UV.

I cleaned the surface of the machine and the inside of it as well. I serviced and cleaned the punchcard mechanism and fine-tuned it to ensure flawless patterning. I opened the carriage and cleaned it thoroughly too, to ensure the drums and all other internal mechanisms move freely. The rubber wheels on the sinker plate were too fragile, so I replaced them with the old stock.

Installed new end racks (new stock).

I replaced the sponge strip in the retaining bar. I cleaned and inspected all needles to ensure they are not bent, latches move freely, and form correct stitches. Then I knitted on the full bed (i.e., on all needles) using tuck, skip/part, and two-color fair-isle to ensure that all needles indeed form correct stitches. I used several different kinds of yarns (you will even see in the video that the machine handled a couple of minor knits pretty well). I was very pleased by these tests, as the machine indeed handled well all the various yarns and all stitches formed correctly. The video of these tests is here.

The machine comes with all original accessories for the knit leader.

Knit leader was not tested in action but I checked all buttons, levers and knobs: they all move freely.

It comes with almost all the machine’s accessories.

The accessories fit nicely into a built-in box.

The standard accessories that are missing are: two cast-on threads (only one is included) and the oil (Hoppe’s Gun oil from Amazon is an excellent substitute).

The carriage lock is now shown in the list of accessories but the original metal carriage lock is included.

Note: The machine did not come with the original punch cards. I am including a generic set of 15 punch cards. Also, hard copies of the manuals are missing as well. But they are available online for free: pattern book, knitting manual, and operation manual.

The machine is lucky enough to come with its own cardboard box as well (with a lid).

Now, about Imperfections:

– Because I applied cleaning oils during cleaning, you might notice that some of the oil might bleed out of the carriage (especially when moved back and forth several times), leaving some black-ish residue on the main bed. Just wipe it with a towel and continue knitting. This is not unusual as the oil becomes thinner as the carriage becomes warmer as it moves back and forth.

– when the lid sits on top of the main bed, there is a small lip. It is pretty typical for these old machines and does not affect the works of the machine. However, precuations will be needed when the machine is in storage: put it in a plastic bag when stored for a long time.

– The carriage handle has some minor scratches.

– The case also has some minor scratches and dents. But it is overall in very good shape.

I typically include pictures of an item I made while testing this machine. I indeed made a small blanket and a gift bag, but due to the time contains, they are not quite finished yet.

I think the new owner of this machine will be very pleased with it because it not only looks good, but it works fantastically and has some advanced functions other punchcard machines don’t: like built-in intarsia.

Needle positions of various flat-bed knitting machines and ribbers

Brother Knitting machines

A – non-working position

B – standard working position

C, DI, DII – patterning positions

E – holding position

Machine Model number
Needle Positions
Basic (manual) knitting machines
KM100, KH355, KH360, KH370, KH380, KH390, KH395ABCD
KH210, KH220, KH311ABCDE
KX350, KX395ABDE
KX355unknown
4-Pushbutton machines
KH35, KH212, KH218no indicators
KH511ABCDE
KH521, KH531, (Profile) KH551ABCDIDIIE
8-Pushbutton machines
KH110, KH120, KH552, Profile 585, KH587, KH588, KH705,
(Genie) KH710, KH601
ABCDIDIIE
KH561, KH571, KH581, (Profile) KH583, (Profile) KH585ABCDE
KH811 (also 24-stitch punchcard)ABDE
12-stitch punchcard machines
KH800, KH801ABCDIDIIE
24-stitch punchcard machines
Bulky: KH260
Standard: KH810, KH811, KH820, KH821, KH830, KH831, KH836, KH840, KH850, KH851, KH860, KH864, KH871, KH881, KH890, KH891, KH893, KH894
ABDE
Electronic machines
KH900, KH910, KH920, KH930, KH940, KH950, KH965, KH970ABDE
Ribbers
KR551ABC
KR110, KR120, KR586, KR710, KR810, KR830, KR840, KR850, KR890, KR900, RK900ABDE
KR582unknown

KnitKing Knitting machines

A – non-working position

B – standard working position

C, DI, DII – patterning positions

E – holding position

Machine Model numberNeedle Positions
24-stitch punchcard machines
Bulky:
Standard: KH881, KK91
ABDE
Electronic
Compuknit IV,ABDE

Silver Reed Knitting machines

Machine Model number
Needle Positions
SK120,ABDE

Retaining bar vs knitting machine model chart

The table below lists the lengths and widths of various knitting machines I measured myself. Use this table as a reference to ensure you purchase the correct retaining bar for your machine.


Model
Retaining bar
materialsponge?length, inch/cmwidth, inch/mm
Brother KH500metalyes41/1040.375/10-10.5
Brother KH551metalyes41/1040.375/10-10.5
Brother KH552metalyes41/1040.5/11-11.5
Brother KH581metalyes41/1040.5/11-11.5
Brother KH585metalyes41/1040.5/11-11.5
Brother KH588metalyes41/1040.5/11-11.5
Brother (Genie) 710metalyes41/1040.5/11-11.5
Brother KH800metalyes41/1040.5/11-11.5
Brother KR810 ribberplasticno
Brother KR830 ribberplasticno
Brother KR850
ribber
plasticno
Silver Reed SK120metalyes42/1095 mm/0.2 inch

About retaining bars in knitting machines and ribbers.

… this article is in constant progress as I learn about various knitting machines and their retaining bars.

Almost all knitting machines and ribbers have retaining bars. Some machines have retaining bars with a sponge attached to them. Some machines (the majority of plastic flatbed machines) have only a long and narrow sponge (without the metal holder). Ribbers come with either a “retaining bar+sponge” assemble or only with the plastic retaining bar (no sponge strip).

The main role of these retaining bars is to hold the needles in place and to prevent it from bouncing up and down when knitting.

Below are the situations when you want and need to remove (and inspect in many cases) the retaining bar:

  1. When you just purchased your machine (especially used and NOT recently serviced), the first thing you need to do is to remove your retaining bar and inspect it. I made a short video on how to do it because I have been asked about it so many times by my customers.
  2. When you need to replace faulty needles.
  3. When you need to clean your machine.
  4. When you notice your knitting machine mispatterning without any good reason.

Hopefully, you purchased your knitting machine new or recently serviced. In this case, the sponge should be 1-2 cm above the metal edge of the retaining bar.

But in most cases, this is not the case. Thus, it is possible that when you remove the retaining bar, you will see a disintegrated sponge. I’ve seen some spongy strips being just a gooey mess. The old sponge needs to be removed as soon as possible (since it often corrodes the needles) and replaced.

There are two ways to approach this replacement.

First approach: just replace the spongy strip

If you decide to replace the sponge, you will need to remove all this goo. I first use a flat-head screwdriver to scrape all the residue out of the retaining bar canal. Then, I use “Goo Gone” to remove the rest of the residue. I typically do it outside because it is a very messy process. I pour a thin layer of “Goo Gone” liquid into the retaining bar and wait for hours. Then I scrape the remains of the old sponge again with the screwdriver. Lastly, I wash the retaining bar with soap and water, wipe it really well and let it dry (or blow dry it). You can purchase just the sponge in my store.

I sometimes read in forums that some thrifty machine knitters get a simple weather stripping and use them as sponge strips. Well, those have different dentistry and sometimes do not have a silky ribbon on one side. Also, they are not suited to be exposed to oils and might decompose rapidly leaving a sticky (potentially unremovable) residue inside your machine.

I read that experienced machine knitters use different ways to attach the spongy strip to the retaining bar. (By the way, the width of the spongy strip is not as critical and it can be a little bit narrower than the channel of the retaining bar but not by much). I tried different glues and my current choice is hot glue. Some machine knitters use wood glue. I apply the glue to the metal part of the retaining bar and attach the strip to the metal by the sponge side (not the silky ribbon side). I then tape the ends if the sponge to the plastic ends. I like using medical tape. Only one layer of the tape is enough to secure the ends of the sponge. More layers will only get stuck when you insert the newly refurbished retaining bar back into the machine. To avoid stripping this tape, push it down on the ends of the retaining bar while inserting it into the machine.

Second approach: buy a new retaining bar

Or if you do not feel like dealing with all this mess, you can purchase a retaining bar with a sponge already in it. Before you order a new retaining bar, make sure you measure the dimensions of your old bar: its width and its length.

Most commonly used by machine knitters Brother, Studio/Silver Reed/Singer, and Toyota knitting machines have somewhat similar retaining bars but there are some differences depending on the model and the gauge of the machine.

For the retaining bars for these machines, there are three different lengths (41, 43, and 47 inches) and two different widths (0.375 and 0.5 inches). This is why it is important to measure your old retaining bar to ensure that you are getting the retaining bar suitable for your machine. Most JUKI, Toyota, Silger/Silver Reed/Studio, Artisan knitting machines use 0.375-inch wide retaining bars. The lengths are either 41 or 43 inches (depending on the model).

I’ve read stories on FaceBook groups, where the new machine knitters were puzzled by the fact that they JUST replaced the sponge bar and the needles do not move, advance, or retract the way they are supposed to. I especially see I happen to be the owner of 8-push button Brother knitting machines. There is somewhere out there some incorrect information on the retaining bar for these machines. 4-push-button machines use a 0.375-inch wide retaining bar and the 8-pushbutton machines use a 0.25-inch wide retaining bar. (I’ve refurbished over a dozen pushbutton machines and I know the difference first-hand).

Brother ribbers use plastic retaining bars without sponges. When (re) inserting the retaining bar into the Brother ribbers, the concave surface (the “channel”) should face you.

There are machines with unique retaining bars – I will update the blog soon when I learn more. I am also putting a table on machines (and models) and retaining bar compatibility. Stay tuned!

In the meantime, enjoy your adventure in retaining/sponge bar replacement!

PS. I measured several dozens of retaining bars with my calipers. Even though the “official” measurement is 0.375 and 0.5 inches, mine are measured as 0.40-0.41 and 0.44-0.46 inches respectively. This inaccuracy in inches makes me like the mm scale (aka metric) a bit better. So the narrower retaining bars are 10.0-10.5 mm while the wider are 11-12 mm wide. Who knew that just 1 mm would make such a difference but it does! I had an incorrect bar installed on my KH581 8-pushbutton machine and the needles would not go back from E to B (or A) position!!!

First steps of testing new-to-you ribber.

If you just purchased or snatched a ribbing attachment to your knitting machine, I can imagine how happy you are!

If your ribber came to you fully serviced and tested, you still need to learn yourself how to use it and attach to you machine. So, follow the steps below. However, if your ribber came to you AS IS, follow the steps outlined in my other article on how to clean and service it before you start the knitting tests.

  1. The first most important step is attaching your ribber to the main knitting machine bed. Your ribber manual is the best source for this. If you are a visual learner, there are plenty of youtube video on how to do it for your particular ribber.
  2. Before you even attach the ribber carriage, main carriage and the connecting arm together, you ABSOLUTELY have to make sure the distance between the main and ribber bed is the optimum. Too wide or too narrow distance between the beds will cause all kinds of problems: yarn is not latching onto the needles, resulting in dropped stitches, grinding noise, difficulties to move the carriage, bent latches, etc. for Brother knitting machines, the best manual that explains how to do it is for the Brother KR810 ribber (available online, just Google it). There are also a lot of YouTube resources on how to establish the optimum distance.
  3. Check all magnets on connecting arm and carriages to make sure nothing got stuck to them.
  4. Once you are satisfied with the distance, make sure the connecting arm is attached to the main carriage properly. (Poorly attached connecting arm will manifest itself in dropped stitches, grinding noise, difficulties in moving in one or both directions, damaged needles or needle latches). Follow manual instructions to the dot. Once you attached the connecting arm to the main carriage, run through the needles (no yarn) to make sure nothing is touching the connecting arm. Start with 20-30 needles and if everything is good, add another portion of 20-30 needles, and so on.
  5. Attach the ribber carriage (unless you have a vintage, earlier model, of ribber, in which case you don’t need to do that) to the connecting arm/main carriage assembly. Again, follow instruction to the dot. Then run again the carriage assembly through just the ribber needles. For this purpose, only bring 20-30 needles to working position and run the carriages through. If everything seems smooth, add another section of 20-30 needles, and so on.
  6. Start knitting on a small swatch. Start with 1×1 rib on every other needle. (When setting up the ribber and knitting the first cast-on rows, it is extremely important to move the needles to the B working position as close as possible. Otherwise the carriage might bend the latches.) Use very thin yarn at first. Preferably the yarn that is no prone to static. (Quick side note on how to check the static of the yarn: bring a small strand of yarn to the crack between the beds and if the yarn sticks to one of the beds, yep, you probably have static. Change the yarn or apply wax). Do not use cotton yarns. Thin smooth acrylic yarn should work. Starting with the very thin and smooth yarn will prevent you from having problems related to JUST yarn: static, tension, friction if yarn has texture. (Please, do not think that knitting swatch is a waste of your yarn or time. There are several learning opportunities. For example, you will also learn how to choose the right tension for the yarn you chose, practice transferring the stitches (by hand or using a transfer carriage), whether there is static with this yarn, etc.) Follow the cast-on and knit instructions to the dot. Knitting just a small swatch will let you 1) check whether all buttons and functions move freely on the ribber carriage and 2) master the cast-on procedure.
  7. Knit on a full bed using the yarn you had success on with the swatch. Start with the 1×1 rib on every other needle. I do not recommend knitting on ALL needles on the ribber – leave 1-3 on each end in non-working position. It will be easier to attach wire-weight-hangers and will also ensure you all stitches are knitted before the carriages returns in the opposite direction. Knitting on the full bed will show you whether all needles function well (If a needle is bend, misaligned, or has a sticky latch, stitches will not form properly. You might also see dropped stitches, tucked-stitches or lots of pull stitches. ) And also discover (if any) additional problems with the setup. (All minor problems not seeing while knitting the swatch might manifest in a full bed in a more pronounced way). The panels knitted on the full bed during your tests can be converted to hats (knit 100-120 rows for one-layered hat with a brim and 200+ rows for a double-layered hat). During your tests on a full bed you’ll also learn how to hang and rehang the wire-hangers with weights to ensure nice edges, how to recognize dropped stitches, how to catch dropped stitches on the very ends of the panel and what to do to prevent them, etc. Knitting on a full bed when you are just starting is a whole new game.

Let me know how the first test went!