Studio SRP50 ribber tested on Studio by White SK740 knitting machine in my shop in August 2025

BUY HERE AND PAY LESS

Studio SRP50 ribber ($505) + shipping ($50) Shipping to West Coast, Hawaii and Alaska might be more.

$555.00

Studio SRP50 ribber fits a vast majority of standard-gauge Singer/Silver/Silver Reed/Studio/Empisal Knitmaster/Riccar knitting machines.

Read about Studio SRP50, Empisal Knitmaster SRP50, Silver SRP50 and Singer SRP50 ribbers (which are the same, just different branding) in the Knitting Machine Encyclopedia. The post below is dedicated to a specific ribber I serviced and tested in my shop.

This Studio SRP50 ribber was tested on Studio by White SK740 standard-gauge knitting machine with punchcard reading capabilities.

I performed the usual cleaning routine: took out all needles, cleaned and inspected each, replaced bent or those with sticky latches; cleaned and serviced the needlebed. I spent a lot of time making sure that the distance between the main and ribber beds is optimum for my knitting. I used very thin and medium-thin yarns. If you use slightly thicker yarns or thinner ones, you might need to adjust the distance. There are a lot of online resources on how to do it.

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The correct distance between the beds is one of the most critical aspects of successful knitting.

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I cleaned the carriage and cleaned the retaining bar (which is a plastic strip; no sponge).

The ribber will come with all major and most minor accessories.

The missing accessories are:

  • close-knit bar. It is a narrow (1 x 910 mm) piece of plastic. According to the forums and even the manual itself, it gets misplaced and lost very often. The same forums mention that it is rarely used – maybe for very fine yarns.
  • The “screw driver” did not come with this setup either. I am adding a ratchet tool instead. I used it for all adjustments of the ribber. For some adjustments, a regular flat-head screwdriver might be needed.

I recommend first swatch tests to be on every other needle and/or with a very thin yarn to get to know your machine without worrying about yarn adjustments. This is what I did when I tested this ribber. The knitted fabrics were then converted to hats, a band (made from a swatch) and a neck warmer below.

I knitted on every other needle but used two different combinations to ensure that I knit on ALL needles. Combination one was three needles on the left of the ribber not selected, and combination two was two needles on the left of the ribber not selected. See the video of those tests. The tests on a full bed are also important not only to assess how smooth the carriage runs, how well the needlebed is oiled, but also to ensure that all needles form correct stitches. Check out the video to see that all needles indeed knitted well.

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Studio SK-303 knitting machine serviced and tested in my shop in July 2025

BUY HERE AND PAY LESS

Studio SK303 ($505) + shipping ($50) Shipping to West Coast, Hawaii and Alaska might be more.

$555.00

Studio SK303 is a metal flat-bed knitting machine with 200 needles, 4.5 mm apart, which makes it a standard-gauge knitting machine. Studio SK303 is capable of creating patterns with automatic needle selection governed by the turn-knob control center and buttons and levers on the carriage.

This post is dedicated to a specific machine serviced and tested in my shop in July 2025. To learn all the pros and cons of the Studio SK-303 model, refer to a post in my Knitting Machine Encyclopedia.

The machine will come with almost all major and most minor accessories.

The toolbox (and its lid) is pretty sturdy (normally, those boxes become so fragile with time and exposure to elements that they just crumble apart).

The S-shaped table clamps are original. I am also including two brand new claw weights (which are not even part of the original setup) because they are very useful, especially for beginners, to put on the edges of the fabric or to assist with the cast-ons.

The missing minor accessories/tools are:

  • hard copy of the manual. You can refer to a manual available online for free.
  • card copy of the pattern cards. They can also be downloaded for free. The manual also has some basic patterns. The pattern shown in my video for a blanket is a variation of the pattern in the manual. I also include patterns that I printed out from that pdf file.
  • original metal carriage lock is not included but I am including a 3D printed plastic replacement
  • clips to hold the cards did not come with the machine, and since there are not cards, they are not really necessary.
  • the case for the spare needles was falling apart and thus will not be included
  • oil was too old and I discarded it. I use Hoppe’s gun oil available on Amazon.
  • the yarn tension guide will be included but it is not the original one: it does not look like two bunny ears but more like a triangle.
  • the cast-on wires also did not come with this machine but I will include two identical medium (in between the short one and long ones shown above) wires.

I did all standard maintenance on this Studio SK303 machine: cleaned the retaining bar from the old gunk, replaced the sponge strip in the retaining bar, inspected all needles, cleaned inside and oiled the machine as well as the turnknob and patterning mechanisms.

I tested several acrylic yarns with this machine (just small swatches and also on the full bed), from super smooth to a textured wool yarn to a relatively thick one. Smooth fibers are sometimes problematic because a lot of static might form. The machine handled the slightly thicker (than I normally use on standard-gauge machines), almost sport weight, very well, although there were some hiccups. Additionally, it handled a two-thread 2-color fair isle pretty well, too. Textured wool yarn was not ideal – I should have selected every other needle, but still knitted a decent-sized swatch. All the tests are shown in the video I put together. The machine behaved pretty well, especially with thinner yarns. I tested two-color fair isle, tuck- and slip-stitches and all stitches and knitted fabric looked great.

The full bed tests are necessary because very often faulty needles might not show up during just visual inspection. In fact, I did discover a needle with a bad latch – it formed tucked stitches (shown in the video as well). After I replaced it, no more bad stitches formed on the full needlebed.

Below is a picture of a pattern I accidentally discovered while testing this machine. It is a combination of needles in A position (to create a lacy opening) and a hold-tuck combo.

I converted this knitted panel to a blanket (the pattern is coming soon). I like the look of it so much that I knitted little booties, hat and mittens to make it a matching reversible set.

Now, about imperfections:

One of the metal slide-ins (where the row counter or the card holder are attached) is missing.

The row counter is similar to the original ones but branded as “Silver”, not “Studio”. There is an identical knitting machine model but branded as Silver SK303.

The row counter has some minor staining but it does not affect its functioning.

The turn-knobs have some minor discoloration but still feel solid (they will not crumble easily).

The case has some minor stains and scratches but nothing too major (not all are shown). The scratches do not affect the functioning of the case.

Pros and Cons of turn-knob knitting machines

So far, I’ve been able to become very familiar with the Silver/Empisal Knitmaster/Studio/Singer turn-knob knitting machines: Empisal Knitmaster mod. 305, Knitmaster ES-302, Riccar RK-601, Silver SK-301, Silver SK-302, Silver SK-303, Silver SK-305, Singer 666, Singer 888, Studio SK-301, Studio SK-303. Thus, the pros and cons below are applicable to the following models:

PROS:

  • light weight
  • compact
  • needles similar to the ribber (easy to find)
  • The carriage is very easy to remove from the needlebed if it is jammed
  • manual and pattern cards are available online for free
  • sturdy end caps
  • excellent for those who like the satisfaction of manual stitch manipulations
  • excellent for beginners
  • it is significantly faster to perform needle selection than manually and than the Brother pushbutton knitting machines (which involves the lever movement every time the needles need to be brought forward)
  • no ratchet tool is required to move the needles forward (like in Brother push-button machines)
  • needle selection pattern versus turn knob combinations is show on the front panel: no need to constantly refer to the manual
  • ribbers were available to convert the machines into double-beds

CONS:

  • bunch of knobs, buttons and levers might at first seem confusing
  • vintage row counter if mispalced is hard to find
  • somewhat limited patterning capabilities: manual needle selection is needed for complex patterns and patterns with more than 8 needle repetitions
  • colored fair isle requires manual yarn manipulation (the knitter will need to lay the yarn onto the needles with open latches; might seem tedious on larger projects, but makes it easy to knit single motif patterns)
  • limited number of add-ons: only ribber (no knit leaders, no color changers, no lace carriages, etc).

If you are new to machine knitting on flatbed machines and you just got a machine, consider the beginner-friendly projects I recommend to all my students and customers. These projects can be done on any machine with any gauge. Also, if you are unsure how to choose a knitting machine, check out an article I put together.

…stay tuned for more insights as I test other turn-knob knitting machines.

Working, mechanism, pros and cons of drums-based knitting machines (sold under the Silver Reed, Singer, Studio, Empisal model names) with punch card capabilites.

… in progress.

Knitting machines with punchcad capabilities have carriages with drums that glide on the back rail and also assist in needle selection when are passed over a punchcard reading mechanism pegs.

Well, since these patterning drums are such a prominent feature (which also makes these machines stand out from Brother punchcard knitting machines), a lot of cons and pros are asscociated with them.

PROS:

  • needle selection is localized to drums/carriages, thus fewer (theoretically) things to go wrong;
  • drums assist the carriage in sliding on the needle bed

COSN:

  • yarn and debri can tangle around these drums
  • these drums often freeze-up when the machine is not in use for a prolonged time due to solidified old grease/oil;

Here are my other observations/feedback so far:

Pegs on the drums pass the needles to either B position or C position.

When the patterning dial is in the fair isle position, the mani yarn goes onto the needles in C position.

I see blog posts stating that some of the clanking noise might be due to the static in the yarn. To solve this issue, attach wax on the tension mast so the yarn passes through it.

But some knitters experience that noise even when there is no yarn in the carriage. Sometimes, if the carriage was not recently serviced or the sponge in the retaining bar is old, you might hear some clanking noise. I am discussing this issue (as well as how to address/minimize it) in my video.

When the ribber connecting arm is attached (from SRP50 ribber – maybe others, still researching), the carriage cam dial does not turn from L to Stockinet freely. You will need to disconnect the connecting arm and the problem will be solved.

Needle positions of various flat-bed knitting machines and ribbers

Brother Knitting machines

A – non-working position

B – standard working position

C, DI, DII – patterning positions

E – holding position

Machine Model number
Needle Positions
Basic (manual) knitting machines
KM100, KH355, KH360, KH370, KH380, KH390, KH395ABCD
KH210, KH220, KH311ABCDE
KX350, KX395ABDE
KX355unknown
4-Pushbutton machines
KH35, KH212, KH218no indicators
KH511ABCDE
KH521, KH531, (Profile) KH551ABCDIDIIE
8-Pushbutton machines
KH110, KH120, KH552, Profile 585, KH587, KH588, KH705,
(Genie) KH710, KH601
ABCDIDIIE
KH561, KH571, KH581, (Profile) KH583, (Profile) KH585ABCDE
KH811 (also 24-stitch punchcard)ABDE
12-stitch punchcard machines
KH800, KH801ABCDIDIIE
24-stitch punchcard machines
Bulky: KH260
Standard: KH810, KH811, KH820, KH821, KH830, KH831, KH836, KH840, KH850, KH851, KH860, KH864, KH871, KH881, KH890, KH891, KH893, KH894
ABDE
Electronic machines
KH900, KH910, KH920, KH930, KH940, KH950, KH965, KH970ABDE
Ribbers
KR551ABC
KR110, KR120, KR586, KR710, KR810, KR830, KR840, KR850, KR890, KR900, RK900ABDE
KR582unknown

KnitKing Knitting machines

A – non-working position

B – standard working position

C, DI, DII – patterning positions

E – holding position

Machine Model numberNeedle Positions
24-stitch punchcard machines
Bulky:
Standard: KH881, KK91
ABDE
Electronic
Compuknit IV,ABDE

Silver Reed Knitting machines

Machine Model number
Needle Positions
SK120,ABDE

Retaining bar vs knitting machine model chart

The table below lists the lengths and widths of various knitting machines I measured myself. Use this table as a reference to ensure you purchase the correct retaining bar for your machine.


Model
Retaining bar
materialsponge?length, inch/cmwidth, inch/mm
Brother KH500metalyes41/1040.375/10-10.5
Brother KH551metalyes41/1040.375/10-10.5
Brother KH552metalyes41/1040.5/11-11.5
Brother KH581metalyes41/1040.5/11-11.5
Brother KH585metalyes41/1040.5/11-11.5
Brother KH588metalyes41/1040.5/11-11.5
Brother (Genie) 710metalyes41/1040.5/11-11.5
Brother KH800metalyes41/1040.5/11-11.5
Brother KR810 ribberplasticno
Brother KR830 ribberplasticno
Brother KR850
ribber
plasticno
Silver Reed SK120metalyes42/1095 mm/0.2 inch

About retaining bars in knitting machines and ribbers.

… this article is in constant progress as I learn about various knitting machines and their retaining bars.

Almost all knitting machines and ribbers have retaining bars. Some machines have retaining bars with a sponge attached to them. Some machines (the majority of plastic flatbed machines) have only a long and narrow sponge (without the metal holder). Ribbers come with either a “retaining bar+sponge” assemble or only with the plastic retaining bar (no sponge strip).

The main role of these retaining bars is to hold the needles in place and to prevent it from bouncing up and down when knitting.

Below are the situations when you want and need to remove (and inspect in many cases) the retaining bar:

  1. When you just purchased your machine (especially used and NOT recently serviced), the first thing you need to do is to remove your retaining bar and inspect it. I made a short video on how to do it because I have been asked about it so many times by my customers.
  2. When you need to replace faulty needles.
  3. When you need to clean your machine.
  4. When you notice your knitting machine mispatterning without any good reason.

Hopefully, you purchased your knitting machine new or recently serviced. In this case, the sponge should be 1-2 cm above the metal edge of the retaining bar.

But in most cases, this is not the case. Thus, it is possible that when you remove the retaining bar, you will see a disintegrated sponge. I’ve seen some spongy strips being just a gooey mess. The old sponge needs to be removed as soon as possible (since it often corrodes the needles) and replaced.

There are two ways to approach this replacement.

First approach: just replace the spongy strip

If you decide to replace the sponge, you will need to remove all this goo. I first use a flat-head screwdriver to scrape all the residue out of the retaining bar canal. Then, I use “Goo Gone” to remove the rest of the residue. I typically do it outside because it is a very messy process. I pour a thin layer of “Goo Gone” liquid into the retaining bar and wait for hours. Then I scrape the remains of the old sponge again with the screwdriver. Lastly, I wash the retaining bar with soap and water, wipe it really well and let it dry (or blow dry it). You can purchase just the sponge in my store.

I sometimes read in forums that some thrifty machine knitters get a simple weather stripping and use them as sponge strips. Well, those have different dentistry and sometimes do not have a silky ribbon on one side. Also, they are not suited to be exposed to oils and might decompose rapidly leaving a sticky (potentially unremovable) residue inside your machine.

I read that experienced machine knitters use different ways to attach the spongy strip to the retaining bar. (By the way, the width of the spongy strip is not as critical and it can be a little bit narrower than the channel of the retaining bar but not by much). I tried different glues and my current choice is hot glue. Some machine knitters use wood glue. I apply the glue to the metal part of the retaining bar and attach the strip to the metal by the sponge side (not the silky ribbon side). I then tape the ends if the sponge to the plastic ends. I like using medical tape. Only one layer of the tape is enough to secure the ends of the sponge. More layers will only get stuck when you insert the newly refurbished retaining bar back into the machine. To avoid stripping this tape, push it down on the ends of the retaining bar while inserting it into the machine.

Second approach: buy a new retaining bar

Or if you do not feel like dealing with all this mess, you can purchase a retaining bar with a sponge already in it. Before you order a new retaining bar, make sure you measure the dimensions of your old bar: its width and its length.

Most commonly used by machine knitters Brother, Studio/Silver Reed/Singer, and Toyota knitting machines have somewhat similar retaining bars but there are some differences depending on the model and the gauge of the machine.

For the retaining bars for these machines, there are three different lengths (41, 43, and 47 inches) and two different widths (0.375 and 0.5 inches). This is why it is important to measure your old retaining bar to ensure that you are getting the retaining bar suitable for your machine. Most JUKI, Toyota, Silger/Silver Reed/Studio, Artisan knitting machines use 0.375-inch wide retaining bars. The lengths are either 41 or 43 inches (depending on the model).

I’ve read stories on FaceBook groups, where the new machine knitters were puzzled by the fact that they JUST replaced the sponge bar and the needles do not move, advance, or retract the way they are supposed to. I especially see I happen to be the owner of 8-push button Brother knitting machines. There is somewhere out there some incorrect information on the retaining bar for these machines. 4-push-button machines use a 0.375-inch wide retaining bar and the 8-pushbutton machines use a 0.25-inch wide retaining bar. (I’ve refurbished over a dozen pushbutton machines and I know the difference first-hand).

Brother ribbers use plastic retaining bars without sponges. When (re) inserting the retaining bar into the Brother ribbers, the concave surface (the “channel”) should face you.

There are machines with unique retaining bars – I will update the blog soon when I learn more. I am also putting a table on machines (and models) and retaining bar compatibility. Stay tuned!

In the meantime, enjoy your adventure in retaining/sponge bar replacement!

PS. I measured several dozens of retaining bars with my calipers. Even though the “official” measurement is 0.375 and 0.5 inches, mine are measured as 0.40-0.41 and 0.44-0.46 inches respectively. This inaccuracy in inches makes me like the mm scale (aka metric) a bit better. So the narrower retaining bars are 10.0-10.5 mm while the wider are 11-12 mm wide. Who knew that just 1 mm would make such a difference but it does! I had an incorrect bar installed on my KH581 8-pushbutton machine and the needles would not go back from E to B (or A) position!!!

First steps of testing new-to-you ribber.

If you just purchased or snatched a ribbing attachment to your knitting machine, I can imagine how happy you are!

If your ribber came to you fully serviced and tested, you still need to learn yourself how to use it and attach to you machine. So, follow the steps below. However, if your ribber came to you AS IS, follow the steps outlined in my other article on how to clean and service it before you start the knitting tests.

  1. The first most important step is attaching your ribber to the main knitting machine bed. Your ribber manual is the best source for this. If you are a visual learner, there are plenty of youtube video on how to do it for your particular ribber.
  2. Before you even attach the ribber carriage, main carriage and the connecting arm together, you ABSOLUTELY have to make sure the distance between the main and ribber bed is the optimum. Too wide or too narrow distance between the beds will cause all kinds of problems: yarn is not latching onto the needles, resulting in dropped stitches, grinding noise, difficulties to move the carriage, bent latches, etc. for Brother knitting machines, the best manual that explains how to do it is for the Brother KR810 ribber (available online, just Google it). There are also a lot of YouTube resources on how to establish the optimum distance.
  3. Check all magnets on connecting arm and carriages to make sure nothing got stuck to them.
  4. Once you are satisfied with the distance, make sure the connecting arm is attached to the main carriage properly. (Poorly attached connecting arm will manifest itself in dropped stitches, grinding noise, difficulties in moving in one or both directions, damaged needles or needle latches). Follow manual instructions to the dot. Once you attached the connecting arm to the main carriage, run through the needles (no yarn) to make sure nothing is touching the connecting arm. Start with 20-30 needles and if everything is good, add another portion of 20-30 needles, and so on.
  5. Attach the ribber carriage (unless you have a vintage, earlier model, of ribber, in which case you don’t need to do that) to the connecting arm/main carriage assembly. Again, follow instruction to the dot. Then run again the carriage assembly through just the ribber needles. For this purpose, only bring 20-30 needles to working position and run the carriages through. If everything seems smooth, add another section of 20-30 needles, and so on.
  6. Start knitting on a small swatch. Start with 1×1 rib on every other needle. (When setting up the ribber and knitting the first cast-on rows, it is extremely important to move the needles to the B working position as close as possible. Otherwise the carriage might bend the latches.) Use very thin yarn at first. Preferably the yarn that is no prone to static. (Quick side note on how to check the static of the yarn: bring a small strand of yarn to the crack between the beds and if the yarn sticks to one of the beds, yep, you probably have static. Change the yarn or apply wax). Do not use cotton yarns. Thin smooth acrylic yarn should work. Starting with the very thin and smooth yarn will prevent you from having problems related to JUST yarn: static, tension, friction if yarn has texture. (Please, do not think that knitting swatch is a waste of your yarn or time. There are several learning opportunities. For example, you will also learn how to choose the right tension for the yarn you chose, practice transferring the stitches (by hand or using a transfer carriage), whether there is static with this yarn, etc.) Follow the cast-on and knit instructions to the dot. Knitting just a small swatch will let you 1) check whether all buttons and functions move freely on the ribber carriage and 2) master the cast-on procedure.
  7. Knit on a full bed using the yarn you had success on with the swatch. Start with the 1×1 rib on every other needle. I do not recommend knitting on ALL needles on the ribber – leave 1-3 on each end in non-working position. It will be easier to attach wire-weight-hangers and will also ensure you all stitches are knitted before the carriages returns in the opposite direction. Knitting on the full bed will show you whether all needles function well (If a needle is bend, misaligned, or has a sticky latch, stitches will not form properly. You might also see dropped stitches, tucked-stitches or lots of pull stitches. ) And also discover (if any) additional problems with the setup. (All minor problems not seeing while knitting the swatch might manifest in a full bed in a more pronounced way). The panels knitted on the full bed during your tests can be converted to hats (knit 100-120 rows for one-layered hat with a brim and 200+ rows for a double-layered hat). During your tests on a full bed you’ll also learn how to hang and rehang the wire-hangers with weights to ensure nice edges, how to recognize dropped stitches, how to catch dropped stitches on the very ends of the panel and what to do to prevent them, etc. Knitting on a full bed when you are just starting is a whole new game.

Let me know how the first test went!

Tension spring for Brother Knitting machine

Carriages of Brother knitting machines have several types of springs to ensure smooth needle handling. This article is about a medium size spring, part of the intricate mechanism of Brother knitting machine carriages. These springs can be purchased in my store.

In particular, this short blog article is about a tension spring responsible for smooth the movement of the middle button on the carriage. (At the end of this article, I show other places in the carriage where the same type of spring can be used). This button is typically used to knit fair isle or/and to reset all other buttons.

To expose that spring, one needs to remove the plastic carriage cover (this step NOT covered in this article) and then remove the metal cover.

For that purpose, remove the two screws marked below.

The plate will then hang by the springs marked in the picture below but they do not have to be removed. Just push the metal plate out of the way. If the springs detach, they are easily to put back. Just take a picture of the agreement before removing the cover.

Once the cover is removed, you will see the springs right away. In my case, one of the springs was simply missing and the mechanism was not retracting automatically the way it was supposed to.

So the replacement spring was placed where one was missing. I made a short video showing where the spring was installed.

“How” the spring was installed is NOT shown in that video because it is kind of hard to capture how to attach the spring. But the loops of the spring need to grab the posts marked in the picture below.

The same spring can be used in positions shown below. The springs marked with crosses are either small/bigger in size or a spring without the loops (springs for the buttons) and thus, cannot be used.

Personal knitting machines museum (those I personally tested_.

MACHINES:

Standard (4.5 mm gauge/distance between needles):

Basic models: Brother KH550

4-push buttons: Brother KH551

8-push buttons: Brother KH552, Brother KH581, Brother KH585, Brother KH588,  Brother KH601, Brother (Genie) KH710

Punch-cards:

Studio/Silver Reed.Studio.Empisal: Singer 321, Studio 326, Studio 360K, Singer 360K, Singer 210, Singer 700 memomatic

Brother: KH800, KH830, KH836, KH840, KH860, KH890,

Electronic: Brother KH930,  Brother KH930e, Brother KH940

Mid-gauge:

Basic models: KX350 (7 mm gauge), KnitKing Simple Seven (7 mm),  Singer KH100 (8 mm gauge)

Bulky:

Basic models: Brother KH210 (9 mm), Silver Reed SK120 (8 mm)

Punch-cards: Brother 260, Brother 260e

RIBBERS:

Standard: Studio SRN321, Brother KR580, Brother KR810, Brother KR830, Brother KR850, Brother KR850e,

Bulky: